Large 19th Century French Daphne & Apollo by Henri FANTIN-LATOUR (1836-1904) for Sale

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Large 19th Century French Daphne & Apollo by Henri FANTIN-LATOUR (1836-1904) For Sale

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Large 19th Century French Daphne & Apollo by Henri FANTIN-LATOUR (1836-1904) :
$40408.88

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All Items See our store for more great items >> Shop CategoriesOther16th Century17th Century18th Century19th Century20th CenturyPortraitLandscapeStill LifeMarineReligious Large 19th Century French Daphne & Apollo by Henri FANTIN-LATOUR (1836-1904) Item Description Daphne & Apollo, 19th Century

by Henri FANTIN-LATOUR (1836-1904) sales to $3,500,000

Henri Fantin-Latour, Self-portrait (1859),Museum of Grenoble

Fine large 19thcenturyClassical Impressionist scene of Daphne & Apollo, oil on canvas byHenry-Theodore scenewith the nudemythical figures bathed in moonlight. Major work inexcellent condition by one of the periods greatestimpressionist painters. This piece would have been painted between 1875-1880 whenLatour's work was split between his still life studies and moreclassically themed works.Unsigned labelled verso. Provenance: private UK estate sale.

Biography

Fantin-Latour was born in Grenoble on the I4th January 1836, into the family of Theodore Fantin-Latour, portrait painter and teacher of drawing, and a Russian mother. In 1841, his family moved to Paris. Henri started drawing at an early age, taught by his father, then, from 1850 though 1854 studied drawing at the school of Lecoq de Boisbaudran. After a short period at the Ecole des Beaux-Arts, he worked temporarily at Courbet's studio. From 1853 onwards he regularly copied works by the old masters in the Louvre, as well as paintings by Delacroix in the Musee du Luxembourg, and for 12 years lived mainly by copying.

He met Degas in the Louvre in 1855, Manet in 1857 and Berthe Morisot in 1858. In 1858, Henri Fantin-Latour became friends with Whistler and the two artists, along with Alphonse Legros, formed the Societe des Trois. In 1859, Whistler invited him to visit London, where through Alphonse Legros and the amateur engraver Edwin Edwards he became associated with the artistic milieu of the English capital, and in 1864 exhibited at the Royal Academy. In London he was especially popular for his flower pieces, which he began to paint in the same year.

Measurements: 37" x 32" framed

Surrey Fine Arts

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