ART - Malvina Hoffman: "Nubian, Africa" - Field Museum Sculpture - Chicago, IL for Sale

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ART - Malvina Hoffman: "Nubian, Africa" - Field Museum Sculpture - Chicago, IL For Sale

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ART - Malvina Hoffman: "Nubian, Africa" - Field Museum Sculpture - Chicago, IL:
$8.50

ART - Malvina Hoffman: "Nubian, Africa" - Field Museum Sculpture - Chicago, IL: Malvina Hoffman (June 15, 1885 – July 10, 1966) was an American sculptor and author, well known for her life-size bronze sculptures of people. She also worked in plaster and marble. Hoffman created portrait busts of working-class people and significant individuals. She was particularly known for her sculptures of dancers, such as Anna Pavlova. Her sculptures of culturally diverse people, entitled "Hall of the Races of Mankind", was a popular permanent exhibition at the Field Museum of Natural History in Chicago. It was featured at the Century of Progress International Exposition at the Chicago World's Fair of 1933. She was commissioned to execute commemorative monuments and was awarded many prizes and honors, including a membership to the National Sculpture Society. In 1925, she was elected into the National Academy of Design as an Associate member and became a full Academician in 1931. Many of her portraits of individuals are among the collection of the New York Historical Society. She maintained a salon, a social gathering of artistic and personal acquaintances, at her Sniffen Court studio for many years. Hoffman became famous internationally for her sculptures of ballet dancers, such as Vaslav Nijinsky and Anna Pavlova, who often posed for her. In 1911, she made Russian Dancers, which was exhibited that year at the National Academy and the following year at the Paris Salon. She made a plaster bust, the last work she made of Pavlova, in 1923. Hoffman also created friezes and other works that captured the movements of dancers. In 1912, she made Bacchanale Russe. In 1917, a version of it won the National Academy's Julia A. Shaw Memorial Prize and the next year a large casting of the sculpture was on display in Paris at the Luxembourg Gardens. She has been called "America's Rodin". N 1930, Chicago's Field Museum of Natural History commissioned sculptor Malvina Hoffman to produce three-dimensional models of racial types for an anthropology display called the Races of Mankind. In this exceptional study, Marianne Kinkel measures the colossal impact of the ninety-one bronze and stone sculptures on perceptions of race in twentieth-century visual culture, tracing their exhibition from their 1933 debut and nearly four decades at the Field Museum to numerous reuses, re-packaging's, reproductions, and publications that reached across the world. This Linen Era (1930-45) postcard is in good condition. No. A-98.